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In the animation department, Studio Trigger takes every possible shortcut in producing this show by utilizing extended single frames, sometimes even coming down to Inferno Cop levels.

And this is where the beauty of Studio Trigger's masterpiece lies, where it can appeals to the causal action-oriented viewer by giving them a rollercoaster ride on afterburners while layering the show for analysis and discussion for the more savvy anime fan.

Despite how TRIGGER had previously done work on , Kill la Kill was their first full project.

Daniel's extra musings can be found on Twitter.

While this is definitely not a show for everyone, I would highly recommend it.

Plot Summary: After the murder of her father, Ryuuko Matoi has been wandering the land in search of his killer.

Ryuuko's tomboyish behavior, recklessness and imaginative fighting tactics solidifies her as one of the strongest female leads I've seen in recent years.

The sound criteria of Kill la Kill is also quite exceptional itself.

Her nemesis and my personal favorite, K Satsuki, is the student council president who runs Honnouji Academy like a fascist regime and literally radiates power.

Then, Ryouku finally made her way to battle the woman she had been seeking, lost, and the show proceeded into an arc revolving around the concept that high schools have more authority in Japan.

The saga that wreaked havoc onto the Academy, is now spreading to engulf everything! This lack of development is fine if this is satire of action anime, but KLK still attempts to make a point about malicious clothing and human shame, so the one quality that could have made ridiculous characters and lack of development for everyone but Ryouku is perfectly fine is made null by the show's ardent desire for us to take it seriously by adding in more bullshit.